You don't have to be a huge Japanophile -- or even a serious dog lover -- to love Wes Anderson's Isle of Dogs. But an appreciation for weird...
Category - Movies
In Our Corner of the World: Gorgeous Anime, Unforgettable Messaging
'In Our Corner of the World' is more than just gorgeous anime. This film portrays the power of the human spirit and the horrors of war in a way you...
Superhero Science: How Humans Will Someday Get Superhero Vision
A Wrinkle in Time: Emotional, Evocative and Totally Unexpected
Annihilation: What If Alien Intelligences Are Experimenting With Our DNA?
Oscars 2018: How To Win Your Oscar Pool This Year
Lady Bird Revisited: Now You Know Why It Sucks So Bad
Alright, Disney. Enough with the Fart Jokes Already …
And the Five Best Erotica Movies to Watch on Valentine’s Day Are ..
WATCH: Here Are The 13 Best Rock Songs of All Time
Steven Spielberg’s The Post: A Nixon-Era Salvo for The Trump Age
Ted Rall: Donald Trump’s Nastiness Is Par for the Presidential Course
American Made: Director Doug Liman and Tom Cruise Are Great Together
Cole Smithey: These Are The 10 Best Films of 2017
David Leitch’s Atomic Blonde: Spy vs Counterspy Never Looked So Good
Luiz Bolognesi’s Rio 2096: A Story of Love and Fury
Denis Villeneuve’s Blade Runner 2049: Best Sequel Ever?
PI Guy: Is The National Gallery’s Prize Rembrandt A Fake? Math Says Yes
Subtle, Simple and Simply Lovely: Keiichi Hara’s ‘Miss Hokusai’ [review]
Weirdest Monster Flick Ever: Nacho Vigalondo’s ‘Colossal’
Cole Smithey: Why ‘Mother!’ Could Be The Best Film of 2017 So Far
American Gods: Gorgeous, Arresting and Unapologetically Quirky
Critics Hate Ghost In The Shell. They’re Wrong. And You’ll Love It
Big Screen, Big Audio Dynamite: How To Watch Christopher Nolan’s ‘Dunkirk’
Clear, Brilliant and Bittersweet: Hirokazu Koreeda’s ‘After the Storm’ [review]
Mystical, Retro and Fluffy As All Get Out: Lu Chuan’s Chronicles of the Ghostly Tribe
Best Bad Movie Ever? Or Best Bad One? Either Way, ‘Three’ Is Pretty Awesome [review]
Jason Dias: Why I Cry for Wonder Woman
Alien: Covenant Is What You Expect, Plus This … [review]
Terrified by The Handmaid’s Tale? Then I Know Who You Voted For [cartoon]
All Aboard The Zombie Train: Train to Busan [review]
Still Surreal After All These Years: Donnie Darko (The Director’s Cut)
The Belko Experiment: Why Your Principles Are Not Worth Dying For
Jordan Vogt-Roberts’ “Kong: Skull Island” Is Almost Perfect. Really. [review]
James Mangold’s Logan: Old Heroes Mix Well With Young Mutants
A Cure for Wellness: Where Venture Capital Meets Vampires [review]
Donald Trump’s Fatherland: Simone Wendel’s Kings of Kallstadt
Yang Lu’s Xiu Chun Dao: Brotherhood of Blades [review]
Theodore Melfi’s Hidden Figures: On Racism, the Space Race and Math
Afonso Poyart’s Solace: Why The Reviewers Were Wrong
Where Art, Imagery and Emotions Rule: “A Monster Calls” [review]
It’s A Mess: Marvel’s Captain America: Civil War [review]
Pablo Larrain’s Jackie: Hard To Watch, Hard To Look Away
Why Critics Are Wrong About “Hail, Caesar!”
Review: Rogue One: A Star Wars Story Sets Feminism Back Light Years
Star Wars VR 360: Here Are Our Top 10 Favorites
Jason Dias: On Existentialism, Wormholes and How To Survive the Election
Only A Matter of Time: JesusVR Is Coming Soon
A Look Inside El Paquete, Cuba’s Black Market Entertainment Pack [exclusive]
This Huge Star Wars Infographic Will Blow Your Mind, All 123 Meters of It …
Oscars 2016 Predictions: Here’s How To Win Your Oscars Pool
Cole Smithey’s Classic Cinema: “Bringing Up Baby” [video essay]
Cole Smithey’s Movie Week: Star Wars Deserves This Review
Cole Smithey’s Directors Survey: Alfred Hitchcock, Master of Suspense
The Future of Technology In Films [infographic]
Academy Confirms White People are Better Actors
Cole Smithey: “The Hateful 8” Was The Most Stimulating Movie of 2015 [review]
Star Wars Theme: Cooper Carter’s Guitar Orchestra Rocks [video of the day]
Cole Smithey’s Movie Week: “Carol” [review]
Cole Smithey’s Movie Week: “Spectre” [review]
The Wrecking Crew: Pioneers of Rock and Roll [review]
Jason Dias: How Psychotherapy Resembles “Ghostbusters”
2016 Is The Year of Warcraft
Cole Smithey’s Movie Week: Gaspar Noe’s “Love”
The Best War Movie Ever Made Was “Come and See.” Seriously.
NASA & CSA YouTube Channels Bring It
On Sex And Death: Is There A Connection?
Film 101: Check Out These Classic Horror Films
The Force Awakens: To George Lucas, with Love
Oscars 2016: Best. Predictions. Ever.
“The Martian”: Why Matt Damon, NASA And Science Rock [review]
A Droning Tone Poem, Skip It: Why “Steve Jobs” Sucks
“Steve Jobs” Movie: Why You’ll Love Loathing The Apple Co-founder
A Daring Original: Miles Ahead review
It’s All About Murphy’s Law, Really: The Martian review
New York Film Festival 2015: Films to See, Films to Avoid [roundup]
Movie Week with Cole Smithey: “Sicario” review
These Five Creepy Movie Villains Keep Us Awake at Night [video roundup]
Cole Smithey’s Movie Week: Coming Home [review]
Terry Gardner: Rabid About CBS’ “Zoo”
Structural Violence: Straight Outta Compton review
Cole Smithey’s Movie Week — Dark Star: HR Giger’s World review
The Fall: Gillian Anderson And Jamie Dornan at Their Best [review]
Murder in The Arctic: “Fortitude” Is Worth Finding [review]
A Poem Is A Naked Person: RIP Leon Russell
On The Physics of Superman: Why Most Superhero Movies Suck
How TV Producers Lose Billions to Piracy [infographic]
Best Picture Winners: Five Movies You Need To See Now
Cole Smithey’s Movie Week: The Look of Silence [review]
Emby Server Review: Why Emby Misses The Mark
Star Wars: On Luke Skywalker’s Hand, Crossguard Lightsabers and You
Cole Smithey’s Movie Week: “Mr. Holmes” Is Enough
Cole Smithey’s Film 101: Sci-Fi Movies
Cole Smithey’s Film 101: Midnight Movies to Watch Right Now
Cole Smithey: “What Happened, Miss Simone?” [review]
How to Take Control of Your Media with Plex
Cole Smithey’s Movie Week: “Amy” [review]
Why I Expect Some Oscar Love for Tender “Love & Mercy” [review]
Jason Dias: Is Porn Good for You? [analysis]
